exhibitions

ceramics

10 - 27 August 2017

about the exhibition

Avital Sheffer’s work is informed by an investigation of her Jewish heritage and thelandscape, architecture, languages and wisdom that arise from an interweaving ofrelated European and Middle Eastern cultures. Ancient ceramics, glass, metalware and calligraphy are a source of inspiration. This exhibition stems from a recent residency in Barcelona during which Avital spent time travelling and exploring the rich history, architecture and art of her Spanish heritage.“I was looking to investigate my personal heritage in Spain going back 500 years, to study the cross-cultural aesthetic in the ceramics of El Andaluz and the Mudéjar periods and to immerse myself in the manifestations of the Spanish Golden Age.” The elegant and expressive designs on thesurface of her vessels are inspired by a library of ancient Semitic, Arabic and Hellenic texts and imagerythat she has gathered from museums and libraries around the world. Recently, Avital has begun to introduce some carving onto her vessels to create three dimensional surfaces that reference the carved facades of Islamic architecture. Living in Australia has also been an important influence on her work; “…absorbing influences of landscape and light offers a unique perspective from which I revaluate my complex heritage. I am interested in the frayed edges of mythologies and language, where dialogue and cross-fertilization between cultures takes place. Personal experiences of conflict, migration, dislocation and renewal intersect with the dilemmas between traditions and modernity.” Avital’s ceramic vessels are hand-formed, constructed with coil, slab and mould, fired multiple times with applications of slips, glazes, terra sigilattasand prints.

Avital Sheffer grew up in Israel, where she practiced fashion and textile design, building design and town planning. After migrating to Australia in 1990 and settling on the North Coast of NSW, she turned to the making of ceramics, receiving a Diploma in ceramics from Lismore TAFE College in 2003. Over the last ten years Avital has exhibited widely across Australia and the USA, and has been a finalist in numerous awards including the Blake Prize, Muswellbrook Art Prize, Manning Art Prize and theInternational Biennial of Ceramics in Korea.In 2014, she was awarded an Australian Council for the Arts skills and development grant which enabled her to complete her recent residency in Barcelona. Avital Sheffer is a member of the International Academy of Ceramics and her work is represented in many collections including the National Gallery of Australia, Powerhouse Museum, Ateliers d’Art de France, Manly Art Gallery and Museum and many regional galleries across Australia.

exhibition images

  • 1. $4,200 Agora IV – hand-formed, glazed, printed earthenware clay, 54 x 39 x 18cm

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  • 2. $4,400 Sentinel V – hand-formed, glazed, printed earthenware clay, 68 x 23 x 15cm

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  • 3. $3,500 Argaman III – hand-formed, glazed, printed earthenware clay, 56 x 16 x 14cm

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  • 4. $4,600 Atalaya I – hand-formed, glazed, printed earthenware clay with gold lustre, 69 x 37 x 20cm

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  • 5. $4,200 Agora I – hand-formed, glazed, printed earthenware clay with gold lustre, 65 x 40 x 18cm

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  • 6. $3,800 Kalos II – hand-formed, glazed, printed earthenware clay, 58 x 25 x 15cm

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  • 7. $4,400 Agora II – hand-formed, glazed, printed earthenware clay, 61 x 39 x 19cm

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  • 8. $4,500 Aldaba I – hand-formed, glazed, printed earthenware clay with gold lustre, 56 x 37 x 19cm

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  • 9. $4,500 Atalaya II – hand-formed, glazed, printed earthenware clay with gold lustre, 69 x 32 x 17cm

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  • 10. $4,200 Argaman I – hand-formed, glazed, printed earthenware clay with gold lustre, 63 x 33 x 17cm

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  • 11. $3,200 Kalos I – hand-formed, glazed, printed earthenware clay with gold lustre, 53 x 29 x 13cm

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  • 12. $3,400 Argaman II – hand-formed, glazed, printed earthenware claywith gold lustre, 49 x 23 x 13cm

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  • 13. $1,800 Argaman IV – hand-formed, glazed, printed earthenware clay with gold lustre, 36 x 22 x 12cm

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