artists

Despite the diversity of Thornton Walker’s subject matter and technique, his interest in the dynamics of composition, perspective and spatial depth remains constant. While maintaining a focus on formal painterly concerns, Thornton incorporates subject matter recalled from travel, personal memories and sometimes dreams, conferring an ethereal, meditative quality to his work. Thornton’s paintings, on both paper and canvas, explore both landscape and figurative images that allude to a hidden narrative. Each painting is overwhelmingly beautiful yet mysterious and still. Thornton uses a technique of mixing oil paint with different alkyd mediums to create a very thin paint, with virtually no viscosity, allowing a painterly effect that is both fluid and unpredictable. As well as oil paintings, his practice includes printmaking, pastels and pen and ink. He also regularly sets aside time to paint still life watercolours as a way of ‘keeping his eye in,’ producing non formulaic paintings that continues to surprise him. Of his practice in general he says “I want to convey not a feeling of stillness but stillness itself, a reality removed from ‘normality’, an aspiration to a way of simply being and observing minus the baggage.”  As ever, his impressive and powerful canvases allow the viewers to immerse themselves in his extraordinary imagery. Demonstrating a masterful and sensitive handling of surfaces, Thornton’s works enchant us with their combination of unique material and spiritual qualities.

Thornton Walker studied printmaking at the Prahran College of Advanced Education and Victorian College of the Arts in Melbourne. After graduating in 1977, he travelled for eight years throughout Europe and the United States and later undertook studio residencies in Spain and Malaysia. With over sixty solo exhibitions to his name, he is now recognised as one of Australia’s leading figurative tonal painters. His work is represented in collections including the National Gallery of Australia, Art Gallery of New South Wales, QUT Art Museum, Parliament House, British Museum and the Aichi Prefectural Museum of Art (Japan).

 

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      $$16,500 Freycinet cove - oil on linen, 120 x 140cm

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      $$14,500 The reflection - oil on canvas, 96 x 110cm

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      $$13,000 Copse and the beach - oil on panel, 73 x 89cm

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      $$12,500 Composition with glass bottles and shell - watercolour and gouache, 76 x 57cm

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      $$12,500 Still life with brown bowl - watercolour and gouache, 76 x 57cm

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      $$8,500 Two poles - acrylic on panel, 60 x 50cm, FRAMED

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      $$7,000 Dusk, towards the bay - oil on canvas, 66 x 35.5cm, FRAMED

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      $$6,500 Rear view - acrylic on canvas, 45 x 35cm, FRAMED

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      $$6,000 Vertical still life with mango - watercolour, ink and collage, 48 x 30cm, FRAMED

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      $$5,500 Covid diary # V - watercolour collage on Japanese woodcut, 30 x 40cm, FRAMED

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      $$5,500 Covid diary # VI - watercolour collage on Japanese woodcut, 30 x 40cm, FRAMED

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      $$4,500 Portend - oil on panel, 30 x 30cm, FRAMED

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      $$3,000 Man taking pulse - oil on canvas, 30.5 x 36cm

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      $$1,000 Fallen trees, snow - aquatint & chine colle, 8/20, 30 x 39.5cm

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      $$900 Two men meet # I - etching, drypoint & aquatint, 8/20, 29.5 x 29.5cm, unframed

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      $$800 Rural scene I - etching & drypoint, 4/10, 20 x 25cm, FRAMED

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      $$800 Man running in snow - etching, aquatint & softground, 2/20, 22 x 29.5cm, unframed

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      $$750 Canis II - softground & aquatint, 5/20, 19 x 24cm, unframed

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      $$750 Canis III - softground & aquatint, 5/20, 19 x 24cm, unframed

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      $$600 Three trees - etching, A/P 1, 19.5 x 15cm, UNFRAMED

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      $$600 Rural scene - etching, 2/5, 19.5 x 15cm, UNFRAMED

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