exhibitions

paintings, works on paper and sculpture

3 - 22 May 2012

about the exhibition

David Frazer’s artwork explores the themes of truth, despair and the emotional and fragile state of the human condition. With his characteristic imagination and wit, David depicts isolation and both rural and urban decline in his finely detailed wood engravings, lithographs, etchings, paintings and bronze sculptures. His stage is often sparsely inhabited, with the occasional character seeming lost, as if unsure of their role in a changing world. These images are informed by thoughts of something better or nostalgic memories of a time that was never that great. However, their abandonment, alienation and longing is sometimes invested with ambiguity, slight optimism and wry humour. Lonely caravans also re-appear in these works, ‘plonked’ in a paddock with the only visible connection to civilisation being a lone power cord that extends out of the picture frame. Although David’s work is typically Australian, the story is universal, drawing tensions between survival and hope, vitality and emptiness in images that are poignant and mildly unsettling, but entirely captivating. Not one to give too much away, David concedes that after all, “being happy and optimistic all of the time isn’t funny or tragic and wouldn’t make for very interesting art.”

Born in Victoria, David Frazer graduated from the Phillip Institute of Technology, Melbourne with a Fine Art degree specialising in painting. In 1996 he achieved an Honours degree from Monash University specialising in Printmaking and in 2000, gained his Master of Arts. In 2002, David was awarded the Keith Wingrove Bookplate Design Award and in 2007, he was a major prizewinner at the International Print Biennial in Guanlan, China and a featured Australian artist on the ABC’s documentary series ‘Artist at Work’. His works are represented widely across Australia and overseas in collections including the National Gallery of Australia, Art Gallery of New South Wales, Art Gallery of South Australia, Australian War Memorial, State Library of Victoria and Chiang Mai Contemporary Art Museum of Thailand.

exhibition images

  • 1. $4,600 The lone walker - watercolour and gouache on paper, 75.5 x 97.5cm

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  • 2. $6,200 Thetired man - oil on linen, 81.5 x 112cm

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  • 3. $4,400 Picnic - oil on linen, 64 x 80cm

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  • 4. $530 Lonely boy - etching, edition 4 of 50, 10 x 15cm (unframed $385)

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  • 5. $620 Two men in a park - etching, edition 1 of 20, 14.5 x 19.5cm (unframed $440)

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  • 6. $620 The ladder II - linocut, edition 9 of 15, 14.5 x 17cm (unframed $440)

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  • 7. $620 Two ladders - lithograph, edition 6 of 20, 20 x 25cm (unframed $440)

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  • 8. $520 The path - etching, edition 37 of 40, 11 x 14.7cm (unframed $385)

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  • 9. $750 Lonely boy III - lithograph, edition 12 of 20, 29.5 x 40cm (unframed $550)

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  • 10. $480 Silicon age - etching, edition 3 of 20, 7.5 x 9.8cm (unframed $330)

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  • 11. $530 The ladder III - wood engraving, edition 4 of 50, 10 x 12.5cm (unframed $385)

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  • 12. $550 Picnic - wood engraving, edition 1 of 60, 11 x 15cm (unframed $385)

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  • 13. $530 Hug - wood engraving, edition 16 of 60, 12.5 x 11cm (unframed $385)

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  • 14. $410 Homesick I - etching, edition 1 of 60, 4.2 x 6cm (unframed $275)

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  • 15. $2,800 Last day - watercolour on paper, 48 x 62.5cm

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  • 16. $7,700 Last blossom - oil on linen, 110 x 150cm

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  • 17. $3,300 Silicon age - gouache and watercolour on paper, 53 x 75cm

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  • 18. $3,500 Hammered - ink on paper, 76 x 57cm

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  • 19. $3,500 Love letter - watercolour and gouache, 76 x 57cm

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  • 20. $7,200 Homesick - oil on linen, 101 x 137cm

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  • 21. $750 Homesick - etching, edition 1 of 50, 26.5 x 36cm (unframed $550)

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  • 22. $3,500 Caravan - bronze, A/P edition of 8, 28.5 x 17 x 17cm (incl. base)

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  • 23. $4,400 Caravan XXII - gouache on paper, 75 x 89cm

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  • 24. $4,400 Caravan XXI - gouache on paper, 75.5 x 85cm

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  • 25. $4,950 Man in a bath - oil on linen, 72 x 99cm

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  • 26. $1,180 The ladder - etching, edition 2 of 20, 49 x 69.5cm (unframed $880)

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