artists

Drawn to materials that are weathered and worn, Alex Asch reinterprets found objects in the construction of his unique sculptures and presents new ways to examine our environment. Discarded materials are favoured in his constructions as they reveal remnants of a past life, often weathered by the elements of nature as well as altered or marked by tools and fittings. These characteristics of his medium indicate the previous value of the materials as a whole object, now seen as composite elements in an entirely new structure. Alex is interested in the capabilities of association between object and form, deconstructing elements to create simplified and symbolic representations of the world around him. His work explores the transformation of the land since European settlement using materials reflective of our rural buildings and concrete cities. Alex labels his landscapes as “premonitions or warnings” and “…unfortunately we have done little over the last quarter century to change our relationship to the natural world and first nations people”. Eminent art critic and historian, Professor Sasha Grishin, says of Alex: “His work is quirky, yet tough; humorous, yet serious; brilliantly crafted, but also naïve and understated in its use of stylistic conventions….Alex Asch has become an original and distinctive voice in Australian art.”

Alex Asch was born in Boston, Massachusetts, USA and was involved in university art programs in Los Angeles and New York before moving to Australia and studying art at the Australian National University in 1988. He has exhibited extensively in solo and group exhibitions throughout Australia and provides technical assistance to a number of arts organisations around Canberra. In 2017, Alex was awarded the CAPO Fellowship by the Capital Arts Patrons Organisation and was the recipient of the Workplace Research Associates Award by CAPO in 2015. Alex’s work has been collected by the National Gallery of Australia and is also included in the collections of Artbank, ACT Legislative Assembly and Canberra Museum and Gallery as well as corporate collections in Australia, USA, UK and Netherlands.  In 2020, Alex worked as an art mentor and tutor for Regeneration an arts organisation working with local bushfire-affected communities.  Alex’s work has recently been collected by the National Gallery of Australia and is also included in the collections of Artbank, ACT Legislative Assembly and Canberra Museum and Gallery as well as corporate collections in Australia, USA, UK, Denmark and Netherlands.

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      $$3,950 Galvanised sky, Batlow - galvanised steel, painted metal, formply, concrete residue, 84 x 94cm

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      $$3,500 First fire, back of Braidwood - painted metal, formply, chalk, concrete residue, 69 x 93cm

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      $$2,200 Days after - galvanised steel, painted metal, formply, concrete residue, 54 x 51cm

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      $$1,500 Transformation 2 - galvanised steel, painted steel, formply, concrete residue, 40 x 40cm

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      $$950 Eyes wide shut - mixed media, plastic trophy figure, saxophone part, 21 x 25 x 25cm

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      $$950 Down the dark ladder - plastic trophy figure, saxophone part, fabric, paper, enamel paint, 23 x 20.5 x 20.5cm

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      $$950 Spiritual façade - mixed media, saxophone part, plastic trophy figure, 25 x 23.5 x 18cm

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      $$850 Business sketches III - form ply, painted timber, image and reflected sign, 25 x 25 x 25cm

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      $$850 Black house - no eaves 3 - cast concrete, timber, sumi ink, wax, 24 x 33 x 13cm

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      $$800 Sinking institution - cigar box, paper collage, wood, glass lens, sumi ink, gouache, 27 x 35 x 8cm

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      $$600 The immigrants - cigar box, paper collage, wood, glass lens, sumi ink, gouache, 17 x 25 x 7cm

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