exhibitions

assemblages

9 – 25 February 2023

about the exhibition

Canberra artist Alex Asch continues to explore constructed landscapes primarily through the use of recycled metal and form ply. This exhibition was inspired by a recent road trip to Broken Hill (Wilyakali), Cobar (Wongaibon), and Silverton (Wiljaali)) where industrial ruins and metal tailings dominate the outskirts of the urban landscape. Alex favours discarded materials as they reveal remnants of a past life, often weathered by the elements of nature as well as altered or marked by tools and fittings. These works contemplate and follow the journey of the metal – from raw material mined and forged for industry into compelling art works which are embedded with layers of history and meaning. The characteristics of this medium indicate the previous value of the materials as a whole object, now seen as composite elements in an entirely new structure. As Alex says “There is a strange transition from the randomly formed landscape of human toil into the ancient geology that dominates the interior of Australia; a seemingly inexhaustible space that hides its fragility in its enormity.” Alex has always made work that reflects his strong social conscience on political, environmental, religious and social issues. In recent years, he has been deeply concerned with the impact of climate change upon the natural world, and these works, carefully arranged with recycled materials act as meditations on our environment and our shared duty to act.

Alex Asch was born in Boston, Massachusetts, USA and was involved in university art programs in Los Angeles and New York before moving to Australia and studying art at the Australian National University in 1988. He has exhibited extensively in solo and group exhibitions throughout Australia. In 2017, Alex was awarded the CAPO Fellowship by the Capital Arts Patrons Organisation and was the recipient of the Workplace Research Associates Award by CAPO in 2015. In 2020, Alex worked as an art mentor and tutor for Regeneration an arts organisation working with local bushfire-affected communities. Alex’s work has been collected by the National Gallery of Australia and is also included in the collections of Artbank, ACT Legislative Assembly and Canberra Museum and Gallery as well as corporate collections in Australia, USA, UK, Denmark and the Netherlands.

exhibition images

  • 1. $1,350 Boom town - recycled and rusted galvanised steel, formply, enamel paint, bore water & concrete residue, 35 x 35cm

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  • 2. $1,350 Dusk at Cobar - recycled aluminium, painted steel, formply & concrete residue, 35 x 35cm

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  • 3. $1,350 Road to daydream - recycled linoleum, painted and rusted steel, formply & concrete residue, 35 x 35cm

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  • 4. $1,350 Road to Cobar - recycled aluminium, painted steel, formply & concrete residue, 35 x 35cm

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  • 5. $4,100 After Silverton - recycled aluminium, formply, concrete residue & enamel paint, 82 x 81cm

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  • 6. $3,400 Cold front - recycled galvanised and burnt steel, formply, concrete & plaster residue, 72 x 73cm

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  • 7. $4,500 The pass - recycled aluminium, painted and rusted steel, formply & concrete residue, 80 x 90cm

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  • 8. $2,400 The slow collision - recycled aluminium, painted and rusted steel, formply & concrete residue, 39.5 x 79.5cm

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  • 9. $1,750 Extraction zone - recycled painted and galvanised steel, painted formply & bore water residue, 38 x 38cm

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  • 10. $5,400 Midday at the living desert - recycled painted and galvanised steel, bore water residue & painted formply, 60 x 160cm

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  • 11. $2,800 Mining remnants - recycled aluminium, steel, formply, enamel, bore water & concrete residue, 60 x 60cm

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  • 12. $2,800 Tailing pile - recycled aluminium, formply, enamel, bore water & concrete residue, 60 x 60cm

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  • 13. $2,800 Storm front - recycled painted and burnt galvanised steel, rusted steel, formply & concrete residue, 60 x 60cm

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  • 14. $4,800 Midday at tailing pile - recycled painted and galvanised steel, formply, enamel paint & concrete residue, 81 x 112cm

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  • 15. $5,400 Nine-mile road - recycled galvanised and painted steel, formply & concrete residue, 70 x 140cm

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  • 16. $2,400 Line of Lode - recycled painted and rusted steel, formply, enamel paint & concrete residue, 53 x 53cm

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  • 17. $1,350 Road to Silverton - recycled aluminium, steel, formply & concrete residue, 35 x 35cm

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  • 18. $1,350 Silverton - recycled aluminium, formply, concrete residue & enamel paint, 35 x 35cm

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  • 19. $650 The edge of the tailings - recycled painted and galvanised steel, painted formply & bore water residue, 22 x 22cm

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  • 20. $1,750 The deposit - recycled painted steel, formply & concrete residue, 24 x 60cm

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  • 21. $1,350 Tailing mounds - recycled painted steel, formply & concrete residue, 35 x 35cm

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  • 22. $820 The Pinnacle - recycled painted and galvanised steel, painted formply & bore water residue, 29 x 29cm

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  • 23. $820 Tailings - recycled linoleum, painted & rusted steel, formply, enamel & concrete residue, 26 x 26cm

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  • 24. $820 Fire front - recycled aluminium, painted steel, formply & concrete residue, 28 x 28cm

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  • 25. $1,350 The edge of industry - recycled galvanised and painted steel, formply & concrete residue, 35 x 35cm

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  • 26. $4,500 Evening at the living desert - recycled burnt steel, galvanised steel, bore water residue, formply & concrete residue, 60 x 120cm

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  • 27. $4,500 Deep waters - recycled painted steel, formply & concrete residue, 83 x 90.5cm

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  • 28. $4,100 Beyond 39 dips - recycled aluminium, formply, concrete residue & enamel paint, 85 x 79cm

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