exhibitions

paintings

14 October - 1 November 2004

about the exhibition

Over four decades, Robert Boynes has developed a pictorial language to convey social and environmental concerns. His visual response to the world around him has always been an immediate and honest one and, in his paintings, layers of meaning exist somewhere between the abstract mark and the figurative image. Robert uses the photographic image as a form of sketchbook notation, creating from it a screenprint that triggers a rigorous painting process. Acrylic paint is applied and washed back, revealing hidden forms and colours. The luminous, dream-like qualities of the paintings are further amplified by the process of layering. Vibrant colour, gestural movement and photographic imagery lure the viewer into a complex cityscape. These paintings stay with us as flashes of memory, like rapid bursts of light that resonate after the eyes are closed. “My painting is strongly influenced by the conventions of cinema, which allow me to put together fragments, cuts and dissolves, delivering a ‘movie’ in several frames. This process creates tensions, expectations and narratives, which allow us to reflect upon these invented moments. …. But even though each image contains the suggestion of a narrative – conveyed by the motion of figures, the way in which they relate and the ‘noise’ of urban colour, surfaces and signage – in the end I want the work to be a space for contemplation.”

Born in Adelaide, Robert studied at the South Australian School of Art in the early 1960s and began teaching in 1964. He has been Head of Painting at the Canberra School of Art for over twenty years. His work is represented in the National Gallery of Australia as well as all Australian State Galleries, Parliament House (Canberra), Artbank, Museum of Contemporary Art (Chicago, USA), Sears Roebuck (USA) and the Mertz Collection (USA). In 2002, his work was included in a select group exhibition at the National Gallery of Australia entitled “Tales of the Unexpected: aspects of contemporary Australian art”. The show was curated by Dr Deborah Hart and recognised the work of some of Australia’s established and most inspired modern artists. Robert has an extensive exhibition history dating back to the mid-1960s and has had over 50 solo shows across Australia, the UK and USA.

exhibition images

  • 1. $8,250 The echo - acrylic on canvas, 120 x 120cm

    Enquire >

  • 2. $15,250 The passenger - acrylic on canvas, triptych, 120 x 310cm

    Enquire >

  • 3. $13,250 White heart - acrylic on canvas, triptych, 120 x 280cm

    Enquire >

  • 4. $9,900 Grey dissolve - acrylic on canvas, 120 x 150cm

    Enquire >

  • 5. $9,900 Slow dissolve - acrylic on canvas, 120 x 150cm

    Enquire >

  • 6. $12,500 White light - acrylic on canvas, triptych, 120 x 240cm

    Enquire >

  • 7. $4,950 In balance - acrylic on canvas, triptych, 61 x 153cm

    Enquire >

  • 8. $1,950 Tattooed man - acrylic on canvas, 61 x 51cm

    Enquire >

  • 9. $3,630 Transposition - acrylic on canvas, diptych, 61 x 102cm

    Enquire >

  • 10. $12,500 Double echo - acrylic on canvas, diptych, 120 x 240cm

    Enquire >

  • 11. $3,630 Backstage - acrylic on canvas, diptych, 61 x 102cm

    Enquire >

  • 12. $4,950 Into the sun - acrylic on canvas, 120 x 80cm

    Enquire >

  • 13. $3,630 Night vision - acrylic on canvas, diptych, 61 x 102cm

    Enquire >

  • 14. $4,950 On screen - acrylic on canvas, triptych, 61 x 153cm

    Enquire >

  • 15. $4,950 Flashback - acrylic on canvas, triptych, 61 x 153cm

    Enquire >

  • 16. $4,950 On reflection - acrylic on canvas, triptych, 61 x 153cm

    Enquire >

  • 17. $4,950 Rehearsal - acrylic on canvas, triptych, 61 x 153cm

    Enquire >

  • 18. $4,950 In the heat - acrylic on canvas, triptych, 61 x 153cm

    Enquire >